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119. The Burghers of Calais


The Burghers of Calais
Auguste Rodin. 1884-1895 C.E. Calias, France. Bronze

He accomplished this by not only positioning each figure in a different stance with the men's heads facing separate directions, but he lowered them down to street level so a viewer could easily walk around the sculpture and see each man and each facial expression and feel as if they were a part of the group, personally experiencing the tragic event.

Artist: Auguste Rodin

Date: 1884-1895 CE

Medium: Bronze

Movement: “Late-1800s Sculpture,” followed the Realism artists

 

Content

·      6 “burghers,” or middle class people (people of the burgh/village)

·      Burghers promise their lives to the English king so that he’ll save their city from occupation during the Hundred Years’ War

·      Central character is Eustache de Saint-Pierre

o   Has large swollen hands and a noose around his neck

o   He’s ready for his execution

o   Symbolizes the severity of the occupation/war in Calais/Paris

Context

·      The town council of Calais, France rejected it; they wanted a statue of a single, allegorical figure

·      The English king (in 1347, Hundred Years’ War) made the burghers wear sackcloths and carry the key to the city of Calais

Form

·      All 6 characters were sculpted individually, then arranged by Rodin as best as possible to create a unified effect

·      Each figure represents a different emotion (fearful, resigned, forlorn)

·      The figures are emaciated; weak

·      Details of the figures are reduced by Rodin to emphasize the overall impression of the 6 figures’ depravity

·      Figures meant to be seen at ground-level and close-up (to be relatable)

 

Function

·      Parallels between occupied Paris in the Franco-Prussian War of 1870 and occupied Calais by the English in 1347!