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178. Aka elephant mask

Aka elephant mask
Bamileke (Cameroon, western grassfields region). c. 19th to 20th century C.E. Wood, woven raffia, cloth, and beads

The elite Kuosi masking society controls the right to own and wear elephant masks, since both elephants and beadwork are symbols of political power in the kingdoms of the Cameroon grasslands. Masked performances have a variety of purposes. Both of the masks displayed here were performed to support political authority, but in different contexts. The mask may have exerted the will of village elders by imposing economic prohibitions or organizing hunting parties to provide for and protect the village.

Full Identification:

Aka Elephant Mask

Bamileke (Cameroon, western grasslands region)

c. 19th to 20th Century C.E.

Wood


Form:


  • Elephant mask composed of colorful cloth and beads

  • Mask wears its own hat

  • Hoodlike face- round eyes with red beads and white cloth- strong navy blue tones in the cloth

  • Cowrie shell decoration on the face and rest of mask

  • Two long panels- represent the elephant’s trunk- woven raffia fiber adorns the edges of the trunk

  • Isosceles triangle- geometric designs- sometimes in the shape of an hourglass

  • Two circles- elephants ears .  


Function:


  • This piece of art was meant to be used in performance- the wearer also wore a tunic and a decorative headdress

  • Very dramatic- many people would wear these masks and emerge from “a large palace compound”

  • People often added ivory bracelets and rare leopard pelts to adorn these outfits

  • Headdress- symbol of privilege

    • Made of red feathers usually (from the African gray parrot)- left the audience awestruck

  • Purpose was to emphasize the complete power and dominance of the Bamileke king


Content:


  • Intended to worship the elephant- this animal was always seen as a symbol of sovereignty/royal authority

  • Beads imported from Venice and the Middle East- represent great wealth and status

  • Black beads- relationship between living and the dead

  • White beads- ancestors and medicines

  • Red beads- life and women

  • Triangular pattern of beads- similar to the configuration of a leopard's spots- this animal was also seen as a great symbol of power and authority- required a lot of respect


Context:


  • Kuosi- elite masking society that owned and wore these Aka Elephant masks

  • Included royal family, wealthy title holders, and ranking warriors- all came together and showed off the masks during the masquerade


Themes:

  1. Animals and art

  2. Tradition

  3. Domestic life

  4. Identity- community and connection to ancestors

  5. Symbolism- animals symbolizing power and authority

  6. Performance (masquerade of the Kuosi people)

  7. Family/Ancestors


Cross Cultural Connection:

  • Bernini, Ecstasy of Saint Teresa

  • Staff God

  • Queen Hatshepsut with Offering Jars

    • All of these works use the finest materials present in each culture (i.e. marble, brass, beads, or barkcloth) and represent power and status of royal/authority figures.

 

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