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238. Electronic Superhighway,

 

Electronic Superhighway 
Nam June Paik. 1995 C.E. Mixed-media installation (49-channel closedcircuit video installation, neon, steel, and electronic components).

It is an enormous physical object that occupies a middle ground between the virtual reality of the media and the sprawling country beyond our doors.

FORM: 

49-channel closed circuit video installation, neon, steel, and electronic components; video footage, 336 televisions, 50 dvd players, 3750 feet of cable, and 575 feet of multicolor neon tubing

FUNCTION: 

tribute to the United States; challenges viewer to look with new eyes at the culturemap of the U.S.

CONTENT: 

states have distinct identities - different scenes for each state; U.S. influenced by television and media; viewers filmed while watching; occupies a middle ground between the virtual reality of the media and the sprawling country beyond our doors

CONTEXT:

Paik born in Korea in 1932, studied art in Europe, moved to New York in 1964; interstate highway was very new 1995

NAM JUNE PAIK: 

  • a South Korean artist who lived in New York City
  • one of the first people to use televisual materials to create art (video art)
  • interested in maps, travel, & culture -- fascinated by the US interstate system
  • "In these and other projects, Paik’s goal was to reflect upon how we interact with technology, and to imagine new ways of doing so."
ELECTRONIC SUPERHIGHWAY:
  • Essentially, a map of the United States outlined by vibrantly-colored neon lighting.
  • each state has its own unique video feed:
    • a total of 50 different video clips -- often chosen based upon their relevance to the state they're shown in (Kansas = The Wizard of Oz, Iowa (where the presidential elections always begin) = political candidates)
    • 313 total television monitors
    • these clips have made the Electronic Highway a record of the culture of the 90s
  • In New York, there's a hidden camera so the video feed is actually the viewer -- this turns the spectator into a participant
  • Paik uses neon to evoke connotations of hotel & restaurant window signs (& uses multiple colors to outline the states to mimic the design of many US maps)
  • compares the use of highways to transport people & goods with the use of technology to spread ideas

Cross-Cultural Comparisons: New Media for Its Time
1. Daguerre, Still Life in Studio
2. The Colosseum
3. Cranach, Allegory of Law and Grace