Portrait of Sin Sukju (1417-1475)
Imperial Bureau of Painting. c. 15th century C.E. Hanging scroll (ink and color on silk)
The importance of this painting is represented in its location sat the Imperial Bureau of Painting. Silk was one of Asia's main trade goods during the time; the popularity of this soft material was evident in the formation of the Silk Road. The high demand and value of this material indicates thus a high value of this artwork.
Form
Full length portrait The portrait is facing slightly to the right This is a hanging scroll made from ink and color on silk Angular Lines
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Function
- Meant to honor the accomplishments of the distinguished court member and eventual prime minister.
- Suggests his loyalty to the king and the idea that Sin Sukju deserves respect.
- Serves as a site of ritual to Sin Sukju's family and helps guide the family's worship. Considered to be a piece of propaganda used to show the dominance of the government over the Korean people.
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Content
- Depicts Sin Sukju as an official honored for his service to the court and loyalty to the king during a chaotic period
- dressed in official robes with rank badge on chest
- Sin Sukju's rank badge has a pair of peacocks surrounded by plants and clouds
- He is seated in a full-length view, head turned slightly, only one ear showing common during that time period
- Wrinkles and solemn expression exudes wisdom and dignity
- Detail on face contrasts with simplicity of attire
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Context
- Sin Sukju is a scholar and politician that rose to status of Prime Minister in 1445
- Confucianism is the emphasis on respect for one's elders and ancestors which is an honor that was made by Sin Sukju
- Rank badges are typically made of embroidered silk and it indicated rank of anyone from local official to the emperor
- This portrait reflected Korean belief that the face reveals important clues to subject
- Made during the second half of the 15th century
- Artists may have collaborated on portraits
- Interest and detail on face was furthered when the Jesuits introduced Koreans to Western painting techniques in the 18th century
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