Pages

18. King Menkaura and Queen

King Menkaura and Queen. Old Kingdom, Fourth Dynasty. c. 2490–2472 B.C.E. Greywacke. 

Representational, proportional, frontal viewpoint, hierarchical structure.
They were perfectly preserved and nearly life-size. This was the modern world's first glimpse of one of humankind's artistic masterworks, the statue of Menkaura and queen.

FORM

  • Carved greywacke figures

    • Depicts Egyptian King Menkaure & wife (disputed)

    • Approximately life-sized

  • Both extend one foot forward & maintain erect posture

  • Menkaure’s fists are clenched and hold ritual cloth rolls

    • Wears traditional false beard & headdress

  • Backed into stone wall

    • No rear detail

  • Both are nude in the upper body

    • Menkaure wears a wrapped kilt

    • Wife wears an obscure, flat skirt

  • Menkaure is barely taller than wife

    • Without headdress they are around the same height

    • Menkaure protrudes further from the rock than his wife

  • Both have individualized & youthful features

  • Unfinished

    • Area around legs remains unpolished

    • Statue lacks an inscription

FUNCTION

  • Communicates the divinity & absolute power of the ruler

    • Likely emerged from a niche in a memorial structure

      • Made them seem as if they were striding out of the building

      • Highlights enduring power & influence of pharaohs

        • Hierarchy of scale further emphasizes his power over the Egyptian people

  • Paint may have been intended to slowly wear away, gradually revealing the black stone and their ultimate transformation into Osiris

    • Although queen is an essential figure of the structure, its purpose was to ensure that Menkaure would successfully reach the afterlife

CONTENT

  • Greywacke was difficult to carve

    • Commitment to carving shows devotion to ruler

    • Tough stone lasts/doesn’t erode

      • Demonstrates enduring influence/importance

  • Pharaoh’s left feet were typically extended in traditional Egyptian art

    • Striding towards the afterlife

    • Unusual for woman to be doing the same

      • Many women were depicted with their legs together

  • Slight hierarchy of scale, but Menkaure’s wife is almost his height

    • This lead some to believe that she could be his mother, or the goddess Hathor

      • Displays no divine symbols

    • Statue imitates structure of many other royal votive statues

      • Likely confirms the theory that the woman is Menkaure’s wife, and not his mother

      • She is standing slightly behind him, showing that she is below him in status but still has importance

  • Idealized musculature and youth highlight the divine perfection of royalty

    • Individualized features balance their divine destination with their human identities

  • Their gaze into space intimates their superiority over earthly beings

  • The woman’s femininity, highlighted by her perfect proportions and clinging garment, balance Menkaure’s masculine virility

  • Menkaure wears the traditional headdress and false beard, marking him as a pharaoh

    • However, he is not portrayed with the typical protective cobra on his forehead

      • The absence of this cobra leads some to surmise that his headdress and the queen’s hair were once covered in precious metals, a decoration that would have included the cobra

CONTEXT

  • Geography allowed for them to flourish

    • Some desert, but also lush land around the Nile River

    • Empire lasted 3000 years

    • Culture rooted in the Nile, which flooded predictably & frequently

      • Seasons and concept of time that was built around the seasons and the floods

      • World based on duality and predictable cycles

        • A significant part of their system of belief

  • Strongly defined social/political structure

    • Pharaoh = absolute ruler

      • Seen as divine & on the path to becoming a god

        • Authority & divinity emphasized through hierarchy of scale

          • Conventions such as this one thus remained constant throughout the Egyptian Empire

      • Menkaure was the son of Khafre, and the smallest pyramid was built in his name

        • This statue of him & his wife was found in an abandoned robber’s pit in the Menkaure Valley Temple on the Giza Plateau

          • Many similar statues depict a triad of a pharaoh alongside the guardian goddess Hathor and a personification of a region

            • Hathor was connected to the wife of the current king and the mother of the future one

          • This statue is unique in its dual composition & apparent lack of Hathor

        • Menkaure’s stature likely would have been situated in an architectural niche in a memorial temple courtyard

          • Would have been vividly painted

      • People connected happenings with gods


THEMES

  • Sacred Space

  • Power & authority

  • Ritual belief & the afterlife

  • Gender roles

  • Symbolism of materials

  • Idealism & individuality

    • The human body

  • Divine vs. earthly influence

  • Depiction of royalty

    • Stylistic convention



CROSS-CULTURAL CONNECTIONS
  • Tamati Waka Nene

    • Demonstrates a traditional depiction of a leader that endures beyond changing surroundings

 

  • Wall Plaque from Oba’s Palace

    • Utilizes hierarchy of scale to highlight leader among multiple individuals


Week 2- Mind Map

Through Chaos Comes the Light  My mind map comes at a time in my life