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18. King Menkaura and Queen

King Menkaura and Queen. Old Kingdom, Fourth Dynasty. c. 2490–2472 B.C.E. Greywacke. 

Representational, proportional, frontal viewpoint, hierarchical structure.
They were perfectly preserved and nearly life-size. This was the modern world's first glimpse of one of humankind's artistic masterworks, the statue of Menkaura and queen.

FORM

  • Carved greywacke figures

    • Depicts Egyptian King Menkaure & wife (disputed)

    • Approximately life-sized

  • Both extend one foot forward & maintain erect posture

  • Menkaure’s fists are clenched and hold ritual cloth rolls

    • Wears traditional false beard & headdress

  • Backed into stone wall

    • No rear detail

  • Both are nude in the upper body

    • Menkaure wears a wrapped kilt

    • Wife wears an obscure, flat skirt

  • Menkaure is barely taller than wife

    • Without headdress they are around the same height

    • Menkaure protrudes further from the rock than his wife

  • Both have individualized & youthful features

  • Unfinished

    • Area around legs remains unpolished

    • Statue lacks an inscription

FUNCTION

  • Communicates the divinity & absolute power of the ruler

    • Likely emerged from a niche in a memorial structure

      • Made them seem as if they were striding out of the building

      • Highlights enduring power & influence of pharaohs

        • Hierarchy of scale further emphasizes his power over the Egyptian people

  • Paint may have been intended to slowly wear away, gradually revealing the black stone and their ultimate transformation into Osiris

    • Although queen is an essential figure of the structure, its purpose was to ensure that Menkaure would successfully reach the afterlife

CONTENT

  • Greywacke was difficult to carve

    • Commitment to carving shows devotion to ruler

    • Tough stone lasts/doesn’t erode

      • Demonstrates enduring influence/importance

  • Pharaoh’s left feet were typically extended in traditional Egyptian art

    • Striding towards the afterlife

    • Unusual for woman to be doing the same

      • Many women were depicted with their legs together

  • Slight hierarchy of scale, but Menkaure’s wife is almost his height

    • This lead some to believe that she could be his mother, or the goddess Hathor

      • Displays no divine symbols

    • Statue imitates structure of many other royal votive statues

      • Likely confirms the theory that the woman is Menkaure’s wife, and not his mother

      • She is standing slightly behind him, showing that she is below him in status but still has importance

  • Idealized musculature and youth highlight the divine perfection of royalty

    • Individualized features balance their divine destination with their human identities

  • Their gaze into space intimates their superiority over earthly beings

  • The woman’s femininity, highlighted by her perfect proportions and clinging garment, balance Menkaure’s masculine virility

  • Menkaure wears the traditional headdress and false beard, marking him as a pharaoh

    • However, he is not portrayed with the typical protective cobra on his forehead

      • The absence of this cobra leads some to surmise that his headdress and the queen’s hair were once covered in precious metals, a decoration that would have included the cobra

CONTEXT

  • Geography allowed for them to flourish

    • Some desert, but also lush land around the Nile River

    • Empire lasted 3000 years

    • Culture rooted in the Nile, which flooded predictably & frequently

      • Seasons and concept of time that was built around the seasons and the floods

      • World based on duality and predictable cycles

        • A significant part of their system of belief

  • Strongly defined social/political structure

    • Pharaoh = absolute ruler

      • Seen as divine & on the path to becoming a god

        • Authority & divinity emphasized through hierarchy of scale

          • Conventions such as this one thus remained constant throughout the Egyptian Empire

      • Menkaure was the son of Khafre, and the smallest pyramid was built in his name

        • This statue of him & his wife was found in an abandoned robber’s pit in the Menkaure Valley Temple on the Giza Plateau

          • Many similar statues depict a triad of a pharaoh alongside the guardian goddess Hathor and a personification of a region

            • Hathor was connected to the wife of the current king and the mother of the future one

          • This statue is unique in its dual composition & apparent lack of Hathor

        • Menkaure’s stature likely would have been situated in an architectural niche in a memorial temple courtyard

          • Would have been vividly painted

      • People connected happenings with gods


THEMES

  • Sacred Space

  • Power & authority

  • Ritual belief & the afterlife

  • Gender roles

  • Symbolism of materials

  • Idealism & individuality

    • The human body

  • Divine vs. earthly influence

  • Depiction of royalty

    • Stylistic convention



CROSS-CULTURAL CONNECTIONS
  • Tamati Waka Nene

    • Demonstrates a traditional depiction of a leader that endures beyond changing surroundings

 

  • Wall Plaque from Oba’s Palace

    • Utilizes hierarchy of scale to highlight leader among multiple individuals