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165. Painted elk hide

 


Painted elk hide. Attributed to Cotsiogo (Cadzi Cody), Eastern Shoshone, Wind River Reservation, Wyoming. c. 1890-1900 C.E. Painted elk hide.

Cotsiogo began depicting subject matter that "affirmed native identity" and appealed to tourists. The imagery placed on the hide was likely done with a combination of free-hand painting and stenciling.

Form:

- Artist named Cotsiogo, American name is Cadzi Cody
    - Known for his numerous animal hide paintings on deer, elk, and buffalo using natural pigments such as chalk and red ochre
    - Was a member of the Eastern Shoshone tribe
    - Essential in the transformation from traditional and even ancient tribal methods and art into a modern society and art form that fits into the
       contemporary Western society
- Pigment used on elk hide
- Animal painting tradition used to record history
- Combination of free-hand penciling and using a stencil

Function:

- Multifunctional, working for both the economic and cultural benefit of the Wind River Reservation
- Led to economic development because it created sales from white visitors and also led them to attend Sun and Wolf dances, in which they would 
    also spend money
- Important as a cultural survival statement for the tribe, as it helped move the once antiquated and ancient tribe artwork into the modern world by
    making it increasingly contemporary

Content:

- Combines contemporary tradition to the historical record of tribes
- Displays important ritualistic Sun Dance and Wolf Dance
    - Sun Dance was especially ceremonial and used to honor deities
- Depicts daily life on the Wyoming reservation such as men hunting buffalo on horses and women sitting near fires at a campsite (teepee)
- Warriors shown in feathered war headdresses to show their honor and importance

Context:

- painting on animal hides is a long-lasting tradition in the Great-Basin region of the U.S.
    - functioned to preserve history, similar to the oral tradition of story-telling
- Animals such as horses and buffalo on the painting were especially important to livelihood, as Buffalo was a source of food and horses were used 
   during hunting.
- An era of intense poverty on the Wind River Reservation in Wyoming, important because this artwork kept both the culture and economy alive

Themes:

- The individual and society
- Ancient vs. modern world
- Beliefs and values
- Cultural traditions
- Nature
- The relationship between man and animals
- Passage of time

Cross-Cultural Connections:

- The practice of calligraphy in the modern world
    - An ancient Chinese tradition that has been adopted into the modern world 
    - This has kept the ancient Chinese culture alive
- Presentation of Fijian mats and tapas cloths to Queen Elizabeth II
    - Demonstrates the clear distinction and contrasts between the still heavily ancient third-world and the modern, western world
    - Similar to the distinction between the Indian reservations and the rest of the evolving United States that Cotsiogo helped to diminish.

Sources:
- https://www.khanacademy.org/humanities/ap-art-history/indigenous-americas/a/eastern-shoshone-hide-painting-of-the-sun-dance-attributed-to-cotsiogo-cadzi-cody
- http://wyoshpo.state.wy.us/pdf/2011Poster.pdf