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174. Portrait mask (Mblo)

 

Portrait mask (Mblo) 
Baule peoples ( Côte d'Ivoire). Early 20th century C.E. Wood and pigment

The mask is exceptional for its nuanced individuality, highly refined details, powerful presence, and considerable age. It is especially appealing for its unusual depth that affords strong three-quarter views. The broad forehead and downcast eyes are classic features associated with intellect and respect in Baule aesthetics. The departure from a rigidly symmetrical representation suggests an individual physiognomy. The expression is one of intense introspection. Its serenity is subtly animated by two opposing formal elements: the flourishes of the coiffure and beard at the summit and base.

Complete Identification:

  • Portrait mask (Mblo)

  • Owie Kimou

  • Early 20th century C.E.

  • Wood and pigment

  • Baule Peoples

  • Côte d’Ivoire (Ivory Coast)


Form:


  • Oblong face shape is black in color with triangular brown markings

  • Traces of orange and red paint remain near the lips, eyes, and nose

  • Nose is long and mouth is closed

  • Ears are rounded nubs on either side of the face

    • Ribbing goes down from the ears and across the jawline and chin

  • There are curved markings around the hairline, possibly representing hair

  • A crown-like addition is attached to the head

    • A rectangular shape has shapes poked into it; a cross-like set of curved triangles is centered with circles punched in on either side

    • There are six pieces coming off of the top of the rectangle

  • A bit over 14 inches in length


Function:


  • Part of a masquerade called a gbagba in the village of Kami in the early 1900s

    • Includes drummers, singers, dancers

    • The masks are concealed until a climactic moment when they are revealed (are worn on a face)

    • Watched by an audience

  • Masks kept out of sight when not in use

  • Not meant to be hung on a wall and appreciated simply for their physical appearance

  • Function and meaning can shift throughout time for the Baule

  • Has power to act with simply its presence–– communicate with ancestors and spirits

  • Meant to honor a respected member of Baule society


Content:


  • The mask is an idealized portrait of Moya Yanso

    • A women known in Kami for her beauty and incredible dancing ability

    • Mask displays her at her prime

  • High forehead and small mouth → convey intelligence and posture

  • Left eye is slightly higher than right eye → gives feeling of complexity

  • Tubular pieces above head → are just decorative (no symbolism)

  • The folds near the mouth → conveys age

  • The brass → would shine in the sunlight to represent health

  • Could be a slight representation of animals with the horns

  • The horns represent abstract hair, although the hair is usually not abstract –– represents Moya Yanso’s inner beauty


Context:


  • Baule People

    • About 400,000 people living in villages in Côte d’Ivoire

    • Known for wood sculptures and ceremonial masks

    • Have become most widespread ethnicity in the country (but are originally from Ghana)

    • Religion: divided into three worlds

      • Divine world, earth world, and spirit world

    • The Côte d’Ivoire is by the ocean

    • Baule people are majority farmers that live in family units

    • Baule society is matriarchal

      • A stool in each family represents the family lineage and ancestral spirits

    • A headman and a council of elders (who represent the lineage) handle the village’s affairs

  • This mask was carved in the village of Kami

  • The Baule recognize two types of entertainment masks–– Goli and Mblo

  • The carver and the subject of the mask are both known (unlike many Mblo masks)

    • Moya Yanso danced with this mask until she was no longer physically able to

  • These portrait mask rituals came to an end in the 1980s –– no longer carved to represent specific people


Cross Cultural:

  • Both the Mblo mask and the Kuba ndop are idealized portraits

    • Embody character traits → wisdom and reserve

    • But they have very different functions

      • Mblo mask is for performance → Kuba ndop is a decorative status symbol

Themes:

  • Display

  • History/memory

  • Performance

  • Identity

  • Power and authority

  • Abstraction and idealization → the human body

  • Portraiture



Sources:

https://www.britannica.com/topic/Baule

Art History Textbook

https://www.khanacademy.org/humanities/ap-art-history/africa-ap/a/mblo-baule